Poisoned Fields, Fated Lives: Destiny Politics in A Time to Rise

Abstract

This article examines destiny politics in Anand Patwardhan and Jim Munro’s 1981 documentary A Time to Rise (Uthan da Vela), a film that captures the political struggles of Punjabi farm workers as they organized to establish the Canadian Farmworkers Union (cfu). It argues that the film highlights how Punjabi farm workers in British Columbia could not build a life beyond the exploitative and toxic labour conditions of BC farms without first confronting powerful cultural and religious ideas about predestined life. This article demonstrates that the three main figures involved in making the film – Anand Patwardhan (the filmmaker), Pritam Kaur Hayre (the protagonist), and Sant Ram Udasi (the singer) – each sought to dismantle the hold of destiny politics over the future. First, I explain that A Time to Rise marked a first experiment with what was to become Patwardhan’s signature style of documentary filmmaking: talking groups. Through this reconfiguration of the documentary as a tool for collective dialogue and movement building, Patwardhan sought to break the enduring power of destiny within South Asian communities. Second, I discuss the film’s protagonist Pritam Kaur Hayre, who contested the politics of destiny by seeking a better life through the union rather than the Punjabi family. Lastly, I show how upending destiny politics was a central preoccupation in the anti-caste thought of Sant Ram Udasi, the Mazhabi Punjabi farm-worker-turned-activist who visited British Columbia in 1979 and wrote and performed the film’s titular song, “Uthan da Vela.”